Star theme

Last year I started working with a star theme. I developed a base design to form a consistent centre for all the stars.

Dark centred stars

In the first pieces (one is the post ‘What do you look at first?’),  I was working on a premise that the base design colour was the darkest and then progressively worked to lighter shades of the same colour. Each star is designed in a unique way after the base pattern.

The stars were not placed to a structure, I was just making sure the base design would fit before starting a new star – creating an explosion of stars.

Not intending it at the time, it represented my thinking and headspace while I was doing the work – a little dark and crazy. Then my thinking and headspace changed. I started a new work.

Inverted stars

This time I started with the lightest shade of the colour and worked outwards to darker shades. Each star was still unique after the base pattern. I created a structure for the stars.

I was about half way through this work when I realised that in general I was brighter and feeling more organised (something I like to have in my life).

I placed the two works next to each other. Smiled. It was an interesting comparison.

I hope you like inverted stars.

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I found three old cross stitch patterns for small sets of flowers. They were too small to do on their own and something I wanted to avoid as they aren’t as interesting, plus I had enough small works that I didn’t know what to do with, so I decided to combine the patterns in a larger work.

Firstly, I worked on red aida cloth. Some people liked the Asian feel created by the red base, so I thought it would be interesting to see how much of an impact the red aida cloth has.

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I used the same three flower cross stitch patterns but stitched them differently onto white aida cloth. Now they look more like a cottage style.

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It has inspired me to work on other colours of aida cloth more. The red cloth had been originally for some Christmas works, but now they have a completely new possibility.

I’ve been experimenting with a star design and will share more about that later. This is the second work using the star design.

I’m interested to know – What do you look at first? Then where do your eyes travel afterwards?

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I found The best of New Idea Tapestry and needlework from the 1970′s in a collection of old needlework books. It had a cross stitch pattern for this table runner to the right. I didn’t want to make a runner, but I did want to experiment with colour and the main flower type design was perfect for a colour experimentation. It is simple and geometric.

Geometric 70's flower. Click to enlarge.

Each flower design needed to be a set of colours that didn’t clash and a few flowers next to each other needed to also not clash, otherwise the set wouldn’t look good together on a piece of aida cloth. It needed to look like a set as well as four individual flowers.

I needed to work so that every colour was different and worked together. When I started each one, I didn’t have a plan for all of them. I just started. I knew I would try to make it perfect if I tried to work out all the colours from the start. When I started the second one, I put a group of colours together and then checked that they also worked with the first flower. I did the same when I selected the colours for the third and fourth.

It wouldn’t have worked if I’d started with all the colours together because when I finished and looked at it the colours, the first and third ones clash, but overall, that isn’t the case.

I think it will look good on the quilt I’m working towards. I’d love to see how you’ve worked with colours.

Finished work. Click to enlarge

My journey with cross stitch started like most things, very simply. It has grown to be a form of artistic expression.

After some brunches with friends, discussing our various crafty passions and their encouragement, I’m sharing that journey here.

I’ve been cross stitching since I was very young. Starting with simple kits, I had a pile of little completed cross stitches. I’ve given some away but over time developed a pile of them. Too small to do anything useful with.

I hadn’t thought much about what I enjoyed by spending hours doing little x’s on cloth in various colours. It was something I did when the rest of my family read. I worked in a craft store in high school and my mum joked about how I must be a favourite employee because I would spend most of my pay in the store.

Interest waned as I didn’t know what to do with them.

An inherited pile of threaded cotton was wound onto cards and filled a box.

I started to cross stitch from patterns in books, picking colours from the box. It was a good challenge to work out what colours to use as I hadn’t bought the ones specified for the pattern.

After a break I thought, what am I going to do with these?

The decision was to make them into a quilt, but I had no where near the number of completed cross stitches yet.

This is when the real journey began. It had moved from doing kits to creating a work of art, both individually and when possible, in combination. I now could work freely not wondering what to do with them. I could just enjoy it. Mistakes were not because I’d deviated from a pattern; it was when I looked at a completed work and thought I could have done a part of it differently.

This started by looking through old patterns and then altering them.

First by playing with colours…

Then by playing with designs…

Then I started studies, developing the design while I worked. They started as a piece of Aida cloth and no plan. After each session it grew more and more to a finished work. Similar to having a blank canvas and a paintbrush and set of paint – There is the materials and an idea for an artwork that forms over time. I’m looking forward to sharing the ideas behind them and hearing about your cross stitch stories.